Pedro Vélez

No Regrets originated in a poster piece component I made for the Whitney Biennial 2014. The piece dealt with underrepresented or erased scenes by the coastal cultural press. The catalog of the Biennial also included a series of interviews on the subject I conducted with artists and museum professionals. Dallas and Michael Wynne, a country boy turned great artist and arts supporter, was the subject matter for this particular poster piece. Some of the interviews became quite controversial at the time due to my gonzo approach.

No Regrets was a celebration of affinities and aesthetics between Wynne and me.

Full documentation by Rodney Rogers @ http://rrart2.blogspot.com/2014/05/no-regrets.html