Pedro Velez
  • Home
  • Portfolio
    • Settlers and Mangroves
    • Los Pre Rafaelitas 2020-ongoing
    • Surrender Flags and Crying Handkerchiefs (2014-2018)
    • Voice Work
    • Sun Drenched Disasters 2021
    • Emotional Hurricanes
    • Crying Handkerchief for #JonesActKKK
    • Affirmations
    • Election Cycle Allegory
    • A Protest Bouquet for Rahm Emanuel
    • Private and Social Portraits
    • No Regrets 2014: Michael Wynne / Pedro Vélez
    • What’s the Forecast? What future?
    • The Aging Quail (2003) Gean Moreno and Pedro Vélez at Galería Comercial
    • Fake Exhibitions (1999-2008)
    • Roadkill Born Again
    • Expanded Art Criticism/ Agitprops
  • Contact
  • Links
  • Full CV
Pedro Velez
  • Home
  • Portfolio
    • Settlers and Mangroves
    • Los Pre Rafaelitas 2020-ongoing
    • Surrender Flags and Crying Handkerchiefs (2014-2018)
    • Voice Work
    • Sun Drenched Disasters 2021
    • Emotional Hurricanes
    • Crying Handkerchief for #JonesActKKK
    • Affirmations
    • Election Cycle Allegory
    • A Protest Bouquet for Rahm Emanuel
    • Private and Social Portraits
    • No Regrets 2014: Michael Wynne / Pedro Vélez
    • What’s the Forecast? What future?
    • The Aging Quail (2003) Gean Moreno and Pedro Vélez at Galería Comercial
    • Fake Exhibitions (1999-2008)
    • Roadkill Born Again
    • Expanded Art Criticism/ Agitprops
  • Contact
  • Links
  • Full CV
© Pedro Velez
Website by OtherPeoplesPixels

Portfolio > Fake Exhibitions (1999-2008)

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A Glorious Ending
A Glorious Ending
2003
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Uni Las Vas Rasfur Falut: David Robbins and The Maclaughlin Group, curated by Pedro Velez  2005
Uni Las Vas Rasfur Falut: David Robbins and The Maclaughlin Group, curated by Pedro Velez 2005
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Uni Las Vas Rasfur Falut:David Robbins and The MacLaughlin Group, curated by Pedro Vélez (2005)
Uni Las Vas Rasfur Falut:David Robbins and The MacLaughlin Group, curated by Pedro Vélez (2005)
2025
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2025
© Pedro Velez
Website by OtherPeoplesPixels